Music reviews: Cardi B and Wednesday
“Am I the Drama?” and “Bleeds”
‘Am I the Drama?’ by Cardi B
★★★
It took seven years, but Cardi B’s second album is finally here and counts as “a massive comeback triumph,” said Rob Sheffield in Rolling Stone. The Grammy-winning Bronx rapper, now 32 and a mother of three, is “out to remind everyone she’s still looser, wilder, just plain funnier than anyone in the game,” and for 23 tracks, she does just that. “Whether she’s celebrating domestic bliss or leaving heel prints on her rivals,” she’s as brash as ever.
Lizzo, Selena Gomez, and Cash Cobain are along for the ride, as are two smash singles, “WAP” and “Up,” that are both more than four years old. “Neither sounds dated,” though, “because everyone else has spent the past four years imitating them.” Still, plenty of critics “have their knives out,” said Tom Breihan in Stereogum. Why include two old tracks? Why tout a Janet Jackson feature that simply samples “The Pleasure Principle”? And how could Cardi make Lizzo sing the “eternally grating” chorus of 4 Non Blondes’ biggest hit? Drama “seems destined to go down as a sophomore slump,” but in truth, it’s “a solid major label rap album” featuring “a handful of great moments.”
The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.
Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
‘Bleeds’ by Wednesday
★★★
Karly Hartzman is the rare contemporary songwriter whose lyrics are truly special, said Mark Richardson in The Wall Street Journal. The leader of the “alternately twangy and punkish” band Wednesday writes songs that unspool like narrative poems. “One moment you’re enjoying Hartzman’s eye for the comically surreal, and the next she’s describing someone face down in a puddle of blood.”
On the Asheville, N.C., band’s sixth album, it’s unfortunately “becoming an issue” that the music retains “a grimy demo-like quality,” because Hartzman’s writing demands something richer. “A bright red yarn of heartbreak wends its way between these songs,” said Walden Green in Pitchfork. Bleeds was recorded after Hartzman and guitarist MJ Lenderman chose to keep working together but end their relationship. Though Hartzman often writes about other characters, the breakup informs Bleeds, which “takes a relationship that crammed work and life into close quarters and burns down the whole building.” The music is a match. In fact, despite the rupture at the quintet’s heart, “Wednesday has never sounded more like a band you want to be in.”
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
-
Trump vs. BBC: what’s at stake?The Explainer The US president has filed a $10 billion lawsuit over the editing of Panorama documentary, with the broadcaster vowing to defend itself
-
Animal Farm: has Andy Serkis made a pig’s ear of Orwell?Talking Point Animated adaptation of classic dystopian novella is light on political allegory and heavy on lowbrow gags
-
What new cryptocurrency regulations mean for investorsThe Explainer The Treasury and the Financial Conduct Authority aim to make the UK a more attractive and safer place for crypto assets
-
Frank Gehry: the architect who made buildings flow like waterFeature The revered building master died at the age of 96
-
6 lovely barn homesFeature Featuring a New Jersey homestead on 63 acres and California property with a silo watchtower
-
Film reviews: ‘Marty Supreme’ and ‘Is This Thing On?’Feature A born grifter chases his table tennis dreams and a dad turns to stand-up to fight off heartbreak
-
Heavenly spectacle in the wilds of CanadaThe Week Recommends ‘Mind-bending’ outpost for spotting animals – and the northern lights
-
10 upcoming albums to stream during the winter chillThe Week Recommends As the calendar turns to 2026, check out some new music from your favorite artists
-
It Was Just an Accident: a ‘striking’ attack on the Iranian regimeThe Week Recommends Jafar Panahi’s furious Palme d’Or-winning revenge thriller was made in secret
-
Singin’ in the Rain: fun Christmas show is ‘pure bottled sunshine’The Week Recommends Raz Shaw’s take on the classic musical is ‘gloriously cheering’
-
Holbein: ‘a superb and groundbreaking biography’The Week Recommends Elizabeth Goldring’s ‘definitive account’ brings the German artist ‘vividly to life’